Paintings                                                                                      Scroll down to see complete gallery

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'Voices in My Head'

Oil on Canvas

35.5cm X 94.5cm

2017

Finalist Black Swan Portraiture Prize 2017 (WA)  & Semi-Finalist Doug Moran National Portraiture Prize 2017 (NSW)

Portrait of  Adam Elliot, Academy Award Winner, filmmaker, director, writer, sculptor and animator. The creator of stop-motion animation cult classics Harvey

Krumpet and Mary and Max .This is a depiction of the conscious and subconscious creation of the stories and their forms, and how they are born in the brain of the creator who then become a beholder and interpreter. The personal story and life reflection in this portrait is deeply embedded in the representation of his characters and symbolic elements found throughout his films.

Parallel Worlds by Julian Clavijo Oil on Canvas 110 x 123 cm 2015 - 2016

 Private Commissions 2016 -2017

Parallel Worlds

Oil on Canvas

110 x 123 cm

2015 - 2016

 

Parallel Worlds by Julian Clavijo Oil on Canvas 110 x 123 cm 2015 - 2016

'Patient Transition' Solo Exhibition

Ground Floor - STK Arts Space

St Kilda, Melbourne

Australia

 

'Por Amor / For Love' Exhibition

Metro Gallery October-November, 2015

Armadale, Melbourne

Australia

 

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Reborn

Oil on Canvas

195x165cm

2014 - 15

(Sold)

Wondering about the kids

Oil on canvas

167x110cm

2014

(Sold)

Bubble Citizen

Oil on canvas

160x160cm

2014

(Sold)

Memories of Gaza

Oil on rendered concrete
Various sizes

2014

(Series Sold)

Paintings Selection 2013

Small selection of paintings created during 2013 exhibited in Australia, Italy, Thailand and Colombia.

The making of the Bubble Citizen - Timelapse

 

Australia Art Month - Abu Dhabi 2013

Series of works created during the one-month artist in residency in Abu Dhabi. These works were a response based on the experiences and encounters of landscapes, contexts and its people.

Behind the Bars Series - 2013

“Behind the Bars” is a series of portraits of children – victims from around the world -  who have actually experienced or are living through wars. These paintings are a poetic black and white depiction of the notion that there are children imprisoned behind the coloured bars of a denied childhood, deprived of the joy of life. Abducted from their innocence and dreams, these children are condemned by their memories and scars of war to survive behind these emotional and psychological bars.

This compilation of five portraits creates a general feeling of joy represented in the selection of colour values to transmit variety and people's passion for life. Regardless of their social and political problems, defective systems and their limitations, Latin American people are amongst the happiest people in the world.

Processes

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Human Disintegration

Winner 1st place Banyule Outdoor Sculpture Award 2011 - Finalist Yering Station Sculpture Prize 2011

The concept that drives this sculptural painting is the sense of human fragility embodied within the image being depicted. The subject matter of the work relates to the notion that children around the world are suffering from corruption, violence, war and starvation extended to the armed conflict of Colombia. A real child holding a bullet belt evidences the fragile innocence standing parallel the poisonous element of war, raising the notion that humanity is being disintegrated by war and unfaithful politics. 3045 wood cubes (45mm3 each) are painted according to specific colour coding and separately placed within the chosen site.  This conveys an overall sense of disintegration. Because the artwork is composed of numerous modules, at eye level the viewer can barely make out the image but can see its materialisation in detail On the other hand, viewed from above and at a distance, the observer can perceive the whole image and thus begin to understand what it is about. The act of the viewer being above or a a distance from the artwork becomes an implicit message of the piece interacting as a modular work that varies significantly depending on one’s distance or perspective.

Crimson Red

Wood blocks and acrylic paint
60x90cm

 

 

Stolen Soul

Wood blocks and acrylic paint
60x90cm

 

True Faces

Wood panel and acrylic paint
57x9198cm

Practice and studios 

Small selection of some of Julian's painting practice prior 2009

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